RealGuitar: Although I’m a guitarist I occasionally use RealGuitar 2L, a sample-based virtual instrument, to provide acoustic guitar strumming parts in a song. A well-designed piece of software, it not only provides very realistic strumming but also plucking and bending sounds using nylon, steel or 12-string guitar real samples (i.e. not synthesised sounds) as well as articulations such as fret noise. The 2L version also comes with a library of MIDI rhythm parts which can be dragged into your project and used or modified as desired. The single interface is pictured right, top.


Although designed primarily for keyboard players and to be played and recorded in real time, I operate RealGuitar as plugin to Sonar on MIDI guitar tracks I’ve imported from Band In a Box or Jammer Pro and edited.  You can download a demo version and listen to sound examples at the MusicLab RealGuitar web site here.  MusicLab also make two sister products RealLPC (Les Paul Custom) and RealStrat, which I haven’t tried but which have received good press reviews.

  

Drum Sounds:  Getting the right drum kit sounds and beats on a song is vital and I try various sources to see which one best complements a particular project.  Sometimes I use sounds and/or preset beats from one of my drum machines (see Hardware page 3) or my Fantom X6, but I mostly use software

such as:





EZmix:  This is an extremely useful tool (well for me anyway!) and at only £40 is a no-brainer.  Ezmix from Toontrack is a simple tool that gives access to an array of professionally combined effects presets (EQ, compression, reverb, etc) for instruments, vocals or final mixes.  You simply audition the presets and accept what sounds right.  Purists will abhor such a product but like all tools, used properly in the right place they can do a perfect job.